Anthony McCall: The Solid Light Films and Related Work/ Edited by Christopher Eamon

Contributor(s):

McCall, Anthony

Material type: Text

TextPublication details: North Western University Press, IL; New Art Trust, San Francisco, CA; 2004Description: 176p; 29x23cmISBN:

9780810123182

Subject(s):

Summary: Anthony McCall's Line Describing a Cone has long been a classic of American avant-garde cinema, but because it was most often screened in dusty Soho lofts in the past, the piece was little known to a wider audience. The inclusion of Line Describing a Cone,1973 in the Whitney Museum of American Art exhibition "Into the Light: the Projected Image in American Art, 1964-1977" has opened McCall's work to a great deal of interest both in America and abroad. While curators are only now beginning to mine the history of the projected image in art, McCall continues to be one of the most important of the Post-Minimalist artists to use projected film. Texts: Branden W. Joseph and Jonathan Walley

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Holdings
Item type	Current library	Collection	Call number	Status	Date due	Barcode
Book	SAF Reference Library	Visual Arts	N8350-8356 65.31 (Browse shelf(Opens below))	Available		5824

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Previous	N8350-8356 62 The Art of Madi	N8350-8356 63 Malva: The album/	N8350-8356 64 Tea Makipaa: Survive!	N8350-8356 65.31 Anthony McCall: The Solid Light Films and Related Work/	N8350-8356 65.32 Anthony McCall: Notebooks and Conversations/	N8350-8356 66 Pablo Milicua: Souvenirs Neuronales	N8350-8356 66.1 Sami Mohammad and the Semiotics of Abstraction: Kuwaiti Folk Art as Muse/ Zahra A. H. Ali- سامي محمد و سيمياء التجريد: الموروث الشعبي الكويتيي ملهما/ د. زهرة أحمد علي	Next

Anthony McCall's Line Describing a Cone has long been a classic of American avant-garde cinema, but because it was most often screened in dusty Soho lofts in the past, the piece was little known to a wider audience. The inclusion of Line Describing a Cone,1973 in the Whitney Museum of American Art exhibition "Into the Light: the Projected Image in American Art, 1964-1977" has opened McCall's work to a great deal of interest both in America and abroad. While curators are only now beginning to mine the history of the projected image in art, McCall continues to be one of the most important of the Post-Minimalist artists to use projected film. Texts: Branden W. Joseph and Jonathan Walley

English

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