Anthony McCall: The Solid Light Films and Related Work/
Anthony McCall: The Solid Light Films and Related Work/
Edited by Christopher Eamon
- North Western University Press, IL; New Art Trust, San Francisco, CA; 2004
- 176p; 29x23cm
Anthony McCall's Line Describing a Cone has long been a classic of American avant-garde cinema, but because it was most often screened in dusty Soho lofts in the past, the piece was little known to a wider audience. The inclusion of Line Describing a Cone,1973 in the Whitney Museum of American Art exhibition "Into the Light: the Projected Image in American Art, 1964-1977" has opened McCall's work to a great deal of interest both in America and abroad. While curators are only now beginning to mine the history of the projected image in art, McCall continues to be one of the most important of the Post-Minimalist artists to use projected film. Texts: Branden W. Joseph and Jonathan Walley
English
9780810123182
Cinema
N8350-8356 Art as a profession. Artists
Projected film
USA
Anthony McCall's Line Describing a Cone has long been a classic of American avant-garde cinema, but because it was most often screened in dusty Soho lofts in the past, the piece was little known to a wider audience. The inclusion of Line Describing a Cone,1973 in the Whitney Museum of American Art exhibition "Into the Light: the Projected Image in American Art, 1964-1977" has opened McCall's work to a great deal of interest both in America and abroad. While curators are only now beginning to mine the history of the projected image in art, McCall continues to be one of the most important of the Post-Minimalist artists to use projected film. Texts: Branden W. Joseph and Jonathan Walley
English
9780810123182
Cinema
N8350-8356 Art as a profession. Artists
Projected film
USA