Jon Rafman / Mark Lanctot avec la collaboration de Sandra Rafman
Material type:
- 9782551256877
- 709.2
- N6549.R332A4 2015
Item type | Current library | Collection | Call number | Status | Date due | Barcode |
---|---|---|---|---|---|---|
![]() |
Flying Saucer Library | Visual Arts | N4390-5098 180.356 (Browse shelf(Opens below)) | Available | ||
![]() |
SAF Reference Library | Visual Arts | N4390-5098 180.356 (Browse shelf(Opens below)) | Available | 5091 |
Browsing SAF Reference Library shelves, Collection: Visual Arts Close shelf browser (Hides shelf browser)
![]() |
![]() |
![]() |
![]() |
![]() |
No cover image available No cover image available | No cover image available No cover image available | ||
N4390-5098 179.184 The webs we weave/ | N4390-5098 180.183 Raad o Bargh: 17 Artists from Iran | N4390-5098 180.305 Clare Rae: Never standing on two feet/ | N4390-5098 180.356 Jon Rafman | N4390-5098 180.566 Sara Rahbar: Restless Violence | N4390-5098 180.567 Sara Rahbar | N4390-5098 180.567 Sara Rahbar |
Exhibition catalog. Texts by: John Zeppetelli, Mark Lanctôt, Sandra Rafman. Jon Rafman caught the art world's attention with his ambitious photo project The Nine Eyes of Google Street View, a collection of hundreds of images carefully selected from blogs and searches. Hauntingly evocative, the work utilizes extremely personal moments to reveal how digital ephemera and media shape our desires and threaten to define our being. Since his appearance on the art scene just a few years ago Rafman has garnered remarkable international success and this first monograph, produced so early in his career, testifies to the pertinence of his practice. Using a wide range of media Rafman blurs the boundaries between virtual and physical realities with works that can be either digital or material, found or made. By moving back and forth from video and photography to sculpture and painting, he brings attention to how such a transformation has become intuitive for us, changing the different ways in which we know ourselves, and how we perceive and relate to the world around us. Though Rafman rarely takes a moral stance toward the messaging behind his art, it consistently asks us to evaluate what it means to be human in the context of these new and ambiguous digital realms.
English; French
There are no comments on this title.