Jon Rafman (Record no. 5091)
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| 000 -LEADER | |
|---|---|
| fixed length control field | 01930nam a2200229Ia 4500 |
| 001 - CONTROL NUMBER | |
| control field | 5091 |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION | |
| fixed length control field | 250409s9999 xx 000 0 und d |
| 010 ## - LIBRARY OF CONGRESS CONTROL NUMBER | |
| LC control number | C2015-940994-2F |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
| International Standard Book Number | 9782551256877 |
| 050 ## - LIBRARY OF CONGRESS CALL NUMBER | |
| Classification number | N6549.R332A4 2015 |
| 082 ## - DEWEY DECIMAL CLASSIFICATION NUMBER | |
| Classification number | 709.2 |
| 245 #0 - TITLE STATEMENT | |
| Title | Jon Rafman |
| Statement of responsibility, etc. | / Mark Lanctot avec la collaboration de Sandra Rafman |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. | |
| Name of publisher, distributor, etc. | Musée d'Art Contemporain de Montréal, www.macm.org; |
| Date of publication, distribution, etc. | 2015 |
| 300 ## - PHYSICAL DESCRIPTION | |
| Extent | 191p; |
| Dimensions | 25x17cm |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | Exhibition catalog. Texts by: John Zeppetelli, Mark Lanctôt, Sandra Rafman. Jon Rafman caught the art world's attention with his ambitious photo project The Nine Eyes of Google Street View, a collection of hundreds of images carefully selected from blogs and searches. Hauntingly evocative, the work utilizes extremely personal moments to reveal how digital ephemera and media shape our desires and threaten to define our being. Since his appearance on the art scene just a few years ago Rafman has garnered remarkable international success and this first monograph, produced so early in his career, testifies to the pertinence of his practice. Using a wide range of media Rafman blurs the boundaries between virtual and physical realities with works that can be either digital or material, found or made. By moving back and forth from video and photography to sculpture and painting, he brings attention to how such a transformation has become intuitive for us, changing the different ways in which we know ourselves, and how we perceive and relate to the world around us. Though Rafman rarely takes a moral stance toward the messaging behind his art, it consistently asks us to evaluate what it means to be human in the context of these new and ambiguous digital realms. |
| 546 ## - LANGUAGE NOTE | |
| Language note | English; French |
| 650 ## - SUBJECT ADDED ENTRY--TOPICAL TERM | |
| Topical term or geographic name entry element | Digital image |
| 9 (RLIN) | 7456 |
| 650 ## - SUBJECT ADDED ENTRY--TOPICAL TERM | |
| Topical term or geographic name entry element | Mixed media |
| 9 (RLIN) | 7457 |
| 650 ## - SUBJECT ADDED ENTRY--TOPICAL TERM | |
| Topical term or geographic name entry element | N4390-5098 Visual Arts- Exhibitions |
| 700 ## - ADDED ENTRY--PERSONAL NAME | |
| Personal name | Rafman, Jon |
| 9 (RLIN) | 7458 |
| 942 ## - ADDED ENTRY ELEMENTS (KOHA) | |
| Koha item type | Book |
| Withdrawn status | Lost status | Damaged status | Not for loan | Collection | Home library | Current library | Date acquired | Total Checkouts | Full call number | Barcode | Date last seen | Price effective from | Koha item type |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Visual Arts | Flying Saucer Library | Flying Saucer Library | N4390-5098 180.356 | 04/09/2025 | 04/09/2025 | Book | |||||||
| Visual Arts | SAF Reference Library | SAF Reference Library | N4390-5098 180.356 | 5091 | 04/09/2025 | 04/09/2025 | Book |