000			01919nam a2200193Ia 4500
001			6542
008			260430s9999 xx 000 0 und d
020			_a9781912719648
245		4	_aThe Fold/ _cHoda Afshar
260			_aMarseille; London; _bLoose Joints Publishing; _c2025
300			_a228p; _c25x25cm
520			_aThrough critical reappropriation, Afshar reclaims a colonial photographic legacy fixated on the veiled woman. The Fold is a critical visual and psychological investigation into the enduring legacy of Orientalist and colonialist photographic practices, and the ways in which these gazes continue to shape how bodies—particularly veiled Islamic bodies—are seen, archived, and consumed. This new body of work by Iranian artist Hoda Afshar takes as its starting point the vast archive of Gaëtan Gatian de Clérambault (1872–1934), a French psychiatrist and photographer who, in the early 20th century, produced thousands of images of veiled women—and sometimes men—in Morocco. Encountered by Afshar during her research at the musée du quai Branly - Jacques Chirac in Paris, these photographs were originally used by de Clérambault to support psychoanalytic theories around fantasy, covering, and desire, all filtered through a deeply colonial lens. This experimental book gathers more than 960 of Afshar’s silver gelatin reappropriations of de Clérambault’s archive, each one a gesture of reworking, refusal, and critical reflection. The Fold includes essays by Ali Behdad and Annabelle Lacour, a conversation between Taous Dahmani and the artist, and is published to accompany Afshar’s solo exhibition Hoda Afshar. Performer l'invisible, at the musée du quai Branly - Jacques Chirac (30/9/2025 – 25/1/2026).
546			_aEnglish
650			_aArchives _99376
650			_aN8350-8356 Art as a profession. Artists
650			_aVeil _99377
651			_aIran
942			_cBK
999			_c6542 _d6542