| 000 | 01187nam a2200217Ia 4500 | ||
|---|---|---|---|
| 001 | 5979 | ||
| 008 | 251009s9999 xx 000 0 und d | ||
| 010 | _a2021059989 | ||
| 020 | _a9781845115029 | ||
| 050 | _aTR183.B375 2022 | ||
| 082 | _a770.1--dc23 | ||
| 100 |
_aBate, David _98535 |
||
| 245 | 0 |
_aPhotography after Postmodernism: _bBarthes, Stieglitz and the art of memory/ _cDavid Bate |
|
| 260 |
_aOxford; _bRoutledge; _c2022 |
||
| 300 |
_a188p; _c24x15cm |
||
| 520 | _aIn Photography After Postmodernism, David Bate examines how our understanding of photography has shifted in the era beyond postmodernism by revisiting and reinterpreting key ideas from Roland Barthes and Alfred Stieglitz. He argues that photographs now circulate within a broader “image-world” that influences our memory, sense of time, and cultural experience. Bate engages with archival, mnemonic, and temporal frameworks—such as “afterwardness”—to show how photographic meaning is never fixed but constantly rewoven through social, historical, and private contexts. | ||
| 546 | _aEnglish | ||
| 650 |
_aPostmodern _98536 |
||
| 650 | _aTR624-835 Technology- Applied Photography | ||
| 942 | _cBK | ||
| 999 |
_c5979 _d5979 |
||