| 000 | 01338nam a2200253Ia 4500 | ||
|---|---|---|---|
| 001 | 5968 | ||
| 008 | 251009s9999 xx 000 0 und d | ||
| 010 | _a2007061955 | ||
| 020 | _a9781890951894 | ||
| 050 | _aTR147.A96 2008 | ||
| 100 |
_aAzoulay, Areilla _98507 |
||
| 245 | 4 |
_aThe Civil Contract of Photography/ _cAreilla Azoulay |
|
| 260 |
_aNew York; _bZone Books; _c2022 |
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| 300 |
_a583p; _c23x15cm |
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| 520 | _aAzoulay argues that photography is not just an image but a political act that creates a “civil contract” between photographer, subject, and viewer. She contends that every photograph of others—especially those in vulnerable or violent situations—calls on viewers to recognize the photographed person as a fellow citizen with rights, regardless of legal or national status. By framing photography as a civic encounter rather than mere representation, Azoulay highlights its potential to resist oppression and build ethical responsibility across borders. | ||
| 546 | _aEnglish | ||
| 650 |
_aCritical documentation _98508 |
||
| 650 |
_aIsrael I Occupation إحتلال صهيوني _98509 |
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| 650 | _aTR624-835 Technology- Applied Photography | ||
| 651 |
_aفلسطين المحتلة _98510 |
||
| 700 |
_aDanieli, Ruvik (translator) _98511 |
||
| 700 |
_aMazali, Rel (translator) _98512 |
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| 942 | _cBK | ||
| 999 |
_c5968 _d5968 |
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