| 000 | 01072nam a2200181Ia 4500 | ||
|---|---|---|---|
| 001 | 5966 | ||
| 008 | 251009s9999 xx 000 0 und d | ||
| 020 | _a9780141392028 | ||
| 100 | _aBerger, John | ||
| 245 | 0 |
_aUnderstanding a Photograph/ _cJohn Berger |
|
| 260 |
_aUnited Kingdom; _bPenguin; _c2013 |
||
| 300 |
_a218p; _c18x11cm |
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| 520 | _aIn Understanding a Photograph, John Berger argues that photographs are not objective truths but selective representations shaped by context, intention, and interpretation. A photo freezes a moment yet cannot explain it, and its meaning shifts depending on how and where it is used—whether in a newspaper, gallery, or family album. Berger highlights photography’s ties to memory and loss, its role in reinforcing power and ideology, and the need for viewers to actively question the conditions of a photograph’s production and circulation rather than assuming it offers simple realism. | ||
| 546 | _aEnglish | ||
| 650 |
_aAnalysis تحليل _98504 |
||
| 650 | _aTR624-835 Technology- Applied Photography | ||
| 942 | _cBK | ||
| 999 |
_c5966 _d5966 |
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