000			01322nam a2200229Ia 4500
001			5946
008			251009s9999 xx 000 0 und d
010			_a2016043649
020			_a9780822362708
050			_aTR183.C366 2017
082			_a779
100			_aCampt, Tina M. _98431
245		0	_aListening to Images/ _cTina M. Campt
260			_aDurham and London; _bDuke University Press; _c2017
300			_a152p; _c23x15cm
520			_aTina M. Campt explores a way of listening closely to photography, engaging with lost archives of historically dismissed photographs of black subjects taken throughout the black diaspora. Engaging with photographs through sound, Campt looks beyond what one usually sees and attunes her senses to the other affective frequencies through which these photographs register. She hears in these photos-which range from late nineteenth-century ethnographic photographs of rural African women and photographs taken in an early twentieth-century Cape Town prison to postwar passport photographs in Birmingham, England and 1960s mug shots of the Freedom Riders-a quiet intensity and quotidian practices of refusal.
546			_aEnglish
650			_aAfrican Diaspora _9378
650			_aAnalysis تحليل _98432
650			_aTR624-835 Technology- Applied Photography
942			_cBK
999			_c5946 _d5946