| 000 | 01406nam a2200253Ia 4500 | ||
|---|---|---|---|
| 001 | 5800 | ||
| 003 | OSt | ||
| 005 | 20250903134336.0 | ||
| 008 | 250903s9999 xx 000 0 und d | ||
| 010 | _a2014034650 | ||
| 020 | _a9783791354309 | ||
| 040 | _c-- | ||
| 050 | _aND1329.W545A4 2015 | ||
| 082 | _a759.13--dc23 | ||
| 245 | 0 |
_aKehinde Wiley: A new Republic/ _cEdited by Eugenie Tsai. Text: Connie H. Choi |
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| 260 |
_aNY; _bBrooklyn Museum; _c2015 |
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| 300 |
_a192p; _c31x25cm |
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| 520 | _aFilled with reproductions of Kehinde Wiley’s bold, colorful, and monumental work, this book encompasses the artist’s various series of paintings as well as his sculptural work—which boldly explore ideas about race, power, and tradition. Celebrated for his classically styled paintings that depict African American men in heroic poses, Kehinde Wiley is among the expanding ranks of prominent black artists—such as Sanford Biggers, Yinka Shonibare, Mickalene Thomas, and Lynette Yiadom-Boakye—who are reworking art history and questioning its depictions of people of color. Co-published with the Brooklyn Museum of Art for the major touring retrospective, this volume surveys Wiley’s career from 2001 to the present. | ||
| 546 | _aEnglish | ||
| 650 |
_aAfrican American artist _98109 |
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| 650 |
_aN8350-8356 Art as a profession. Artists _98110 |
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| 651 |
_aUSA _98111 |
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| 942 |
_cBK _2lcc |
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| 999 |
_c5800 _d5800 |
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