000 | 01472nam a2200205Ia 4500 | ||
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001 | 5694 | ||
008 | 250708s9999 xx 000 0 und d | ||
020 | _a9780863564864 | ||
245 | 0 | _aMaliheh Afnan: Traces, Faces and Places | |
260 |
_aLondon; _bSAQI Books in association with Beyond Art Production; _c2010 |
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300 |
_a176p; _c29x24cm |
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520 | _aMaliheh Afnan's work appears "as a relic of an older civilization or an archaeological excavation into the collective psyche. The delicacy of Persian miniatures and manuscripts, which she remembers from childhood, is mirrored in her love for intimate scale and the refined beauty of muted colour." Calligraphy plays an important role: images appear that suggest the written word. Works on paper and tablets of painted plaster are reminiscent of ancient, almost obliterated texts, and, like palimpsests, retain only some vestige of literal meaning and an impression of human contact. Afnan has absorbed both Middle Eastern and Western influences. She has looked towards such artists as Jackson Pollock, Mark Rothko, Jean Dubuffet, and Paul Klee, and shares an affinity with the American artist Mark Tobey, who helped arrange the first European exhibition of her work in 1971. | ||
546 | _aEnglish | ||
650 | _aN8350-8356 Art as a profession. Artists | ||
700 |
_aAfnan, Maliheh _97937 |
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700 | _aBerger, John | ||
700 |
_aIssa, Rose _96071 |
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942 | _cBK | ||
953 |
_8N _aSAFL _bSAFL _oN8350-8356 12.351 _yBK |
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999 |
_c5694 _d5694 |