000 | 01021nam a2200169Ia 4500 | ||
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001 | 5691 | ||
008 | 250708s9999 xx 000 0 und d | ||
020 | _a9781908612199 | ||
100 |
_aBatchelor, David _97934 |
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245 | 0 |
_aFlatlands/ _cDavid Batchelor |
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260 |
_bFruitmarket Gallery, Edinburgh; Spike Island, Bristol; _c2013-2014 |
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300 |
_a120p; _c27x21cm |
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520 | _aDavid Batchelor is best known for his vividly coloured sculptural installations of illuminated lightboxes, industrial dollies, and other found objects. He has, however, always been interested primarily in drawing, painting, abstraction and the monochrome. These are preoccupations that are best charted in the immensely varied two-dimensional work that is the subject of this publication, which represents a first considered attempt to analyse Batchelor’s graphic register by reflecting critically on his use of surface, painting, drawing, and colour. | ||
546 | _aEnglish | ||
650 | _aN8350-8356 Art as a profession. Artists | ||
942 | _cBK | ||
999 |
_c5691 _d5691 |