000 | 01087nam a2200181Ia 4500 | ||
---|---|---|---|
001 | 5600 | ||
008 | 250528s9999 xx 000 0 und d | ||
020 | _a9780500204313 | ||
245 | 0 |
_aDada: Art And Anti Art _c/ Hans Richter; Michael White |
|
260 |
_bThames & Hudson; _c1964 &1965 |
||
300 |
_a376p; _c21x15cm |
||
490 | _aThames & Hudson World of Art | ||
520 | _a“Where and how Dada began is almost as difficult to determine as Homer’s birthplace,” writes Hans Richter, the artist and filmmaker closely associated with this radical movement from its earliest days. Here he records and traces Dada’s history, from its inception in wartime Zurich to its collapse in Paris in the 1920s, when many of its members joined the Surrealist movement, to the present day when its spirit reemerged in the 1960s in movements such as Pop Art. This absorbing eyewitness narrative is enlivened by extensive use of Dada documents, illustrations, and texts by fellow Dadaists. | ||
546 | _aEnglish | ||
650 |
_aDadaism _97831 |
||
650 | _aN5300-7418 Visual Arts- History | ||
942 | _cBK | ||
999 |
_c5603 _d5603 |