000 | 01773nam a2200277Ia 4500 | ||
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001 | 5554 | ||
003 | OSt | ||
005 | 20250528150542.0 | ||
008 | 250528s9999 xx 000 0 und d | ||
020 | _a9783960982296 | ||
040 | _c-- | ||
245 | 0 |
_aArtist to Artist _b: Independent Art Festivals in Chiang Mai 1992-98 _c/ David The; Patrick D. Flores, May Adadol Ingawanij, David Morris, Rosalind C. Morris |
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260 |
_bAfterall Books in association with Asia Art Archive and the Center for Curatorial Studies, Bard College; _c2018 |
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300 |
_a288p; _c22x16cm |
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490 |
_aAfterall Exhibition Histories; _vVol. 9 |
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520 | _aFounded on an ethos of friendship, and emerging from a regional constellation of artists' initiatives and independent spaces, the series of art festivals known as Chiang Mai Social Installation (1992–98) staged contemporary Thai art within everyday city life. From temples and cemeteries to libraries, the town square and even a dental clinic, these artist-led interventions present a self-funded anarchic alternative to Southeast Asia's subsequently expanding biennial culture, while also marking the emergence of a wider contemporary moment. Series Editors: Lauren Cornell, Tom Eccles, Charles Esche, Pablo Lafuente, Lucy Steeds, John Tain, Michelle Wong. First published by Afterall Books in association with Asia Art Archive and the Center for Curatorial Studies, Bard College. (Koenig) 9783960982296, (Afterall) 9781846381911 | ||
546 | _aEnglish | ||
650 | _aN5300-7418 Visual Arts- History | ||
651 | _aSouth East Asia | ||
700 | _aFlores, Patrick D. | ||
700 |
_aIngawanij, May Adadol _97803 |
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700 |
_aMorris, David _97804 |
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700 |
_aMorris, Rosalind C. _97805 |
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700 |
_aTeh, David _97806 |
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942 |
_cBK _2lcc |
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999 |
_c5554 _d5554 |