000			01405nam a2200193Ia 4500
001			5117
008			250409s9999 xx 000 0 und d
010			_a2006939072
020			_a9780870707117
245		0	_aArmando Reveron
260			_aNY; _bMoMA- Museum of Modern Art; _c2007
300			_a208p; _c26x26cm
520			_aExhibition catalog. Feb-Apr 2007. Texts: John Elderfield, Luis Perez-Oramas, Nora Lawrence. Foreword by Glenn D. Lowry. Text by John Elderfield, Luis Pérez-Oramas. This first U.S. retrospective of the work of Armando Reverón (1899-1954), exhibited this spring at The Museum of Modern Art, New York, introduces the celebrated Latin American artist to an international audience. Well-known in his native Venezuela, but little known outside Latin America, Reverón deserves to be ranked alongside the great early European Modernists. By the 1920s, he had fused post-Impressionistic idioms with an extremely tactile surface and an almost monochromatic palette, creating unmistakably original paintings that are both mysterious and radical. In addition to Reverón's paintings, the exhibition includes life-sized dolls and other objects that he and his partner, Juanita Ríos, created to fill their secluded Caribbean home.
546			_aEnglish
650			_aN4390-5098 Visual Arts- Exhibitions
651			_aVenezuela _94183
700			_aReveron, Armando _97477
942			_cBK
999			_c5117 _d5117