000 | 02171nam a2200181Ia 4500 | ||
---|---|---|---|
001 | 5032 | ||
008 | 250409s9999 xx 000 0 und d | ||
020 | _a9788867490554 | ||
245 | 0 |
_aTips and Tricks/ _cAhmet Ogut |
|
260 |
_bKunstlerhaus Stuttgart; Mousse Publishing; Mousse _c2014 |
||
300 |
_a192p; _c25x17cm |
||
520 | _aOver the years, the Turkish artists Ahmet Öğüt has been offering tips and tricks that suggest reconsidering the norms, perceiving history and the contemporary politics anew, and regenerating the social structures. Co-published with the Künstlerhaus Stuttgart, this publication, whose first steps can be traced back to Istanbul, Stuttgart, and other places the artist had traveled to for his exhibitions, reflects the educational turn Öğüt has taken over the past few years, and surveys the artist’s work to date presenting it into six groups that each help define a significant aspect of his body of work—“Filmic Memory,” “ Mediated Sculpture,” “Institutional Hijack,” “History Reclaimed,” “Everyday Archaeology,” and “Long-Term Engagments.”Over the years, the Turkish artists Ahmet Öğüt has been offering tips and tricks that suggest reconsidering the norms, perceiving history and the contemporary politics anew, and regenerating the social structures. Co-published with the Künstlerhaus Stuttgart, this publication, whose first steps can be traced back to Istanbul, Stuttgart, and other places the artist had traveled to for his exhibitions, reflects the educational turn Öğüt has taken over the past few years, and surveys the artist’s work to date presenting it into six groups that each help define a significant aspect of his body of work—“Filmic Memory,” “ Mediated Sculpture,” “Institutional Hijack,” “History Reclaimed,” “Everyday Archaeology,” and “Long-Term Engagments.” Ceren Erdem, ed. Text by Misal Adnan Yıldız, and conversations between Ahmet Öğüt and Ute Meta Bauer, Hans Ulrich Obrist, and Maya Mikelsone. | ||
546 | _aEnglish | ||
650 | _aN4390-5098 Visual Arts- Exhibitions | ||
651 | _aTurkey | ||
700 |
_aOgut, Ahmet _97416 |
||
942 | _cBK | ||
999 |
_c5032 _d5032 |