000			01733nam a2200241Ia 4500
001			4669
003			OSt
005			20241217152128.0
008			241217s9999 xx 000 0 und d
010			_a2006455881
020			_a3883757551
040			_c--
050			_aN6488.5.H453 P37 2003
245		0	_aPartners: Ydessa Hendeles _cEdited by Chris Dercon and Thomas Weski
260			_aMunich; _bHaus der Kunst; _c2003
300			_a240p; _c31x24cm
520			_aExhibition catalog. Nov 2003- Feb 2004. Essays by Carol Squiers and Ernst van Alphen. Introduction by Ydessa Hendeles. Foreword and editing by Chris Dercon and Thomas Weski. One of the most powerful people in the art world--and the only Canadian on that list--Ydessa Hendeles is renowned not only as one of the foremost supporters of contemporary art but also as a brilliant curator and collector. The collection she has assembled under the auspices of the Ydessa Hendeles Art Foundation is one of the most original, prescient, and highly regarded contemporary art collections in the world--if one of the lesser known. Large parts of it are being shown for the first time in Haus der Kunst in Munich, assembled and arranged by Hendeles; this book has been conceptualized by her in conjunction with the exhibition. In typical Hendeles fashion, Partners combines artworks, press photos, anonymous snapshots, and everyday articles. Maurizio Cattelan's “HIm,” a depiction of Hitler on his knees, plays a key role, as does a large installation of thousands of historical snapshots of teddy bears.
546			_aEnglish; German
650			_aN4390-5098 Visual Arts. Exhibitions
651			_aCanada _93465
700			_aHendeles, Ydessa _96484
942			_cBK _2lcc
999			_c4669 _d4669