000			01751nam a2200289Ia 4500
001			4434
003			OSt
005			20240926121757.0
008			240905s9999 xx 000 0 und d
020			_a9788992233712
040			_c--
245		4	_aThe Art of Dansaekhwa _c/ Edited by Nick Herman, Jinsang Yoo
260			_aSeoul; _bKukje Gallery; _c2014
300			_a182p; _c32x27cm
500			_aEdited by Nick Herman, Jinsang Yoo. Foreword by Hyun-Sook Lee. Text by Yoon Jim Sup, Alexandra Munroe, Sam Bardaouil, Till Fellrath.
520			_aExhibition catalog. Aug-Oct 2014. Korean Dansaekhwa painting emerged in the 1970s as a reaction to the academicism of the National Art Exhibition and the country's rapidly changing social and political landscape. Characterized by its emphasis on the monochrome, its refined approach to materiality and its philosophical interest in the relationship between the artist's consciousness and the act of making, Dansaekwha borrowed materials, techniques and motifs from both Eastern and Western painting traditions. The Art of Dansaekhwa explores how the Dansaekhwa movement flourished within the then-contemporary art scene in Korea and beyond, telling the story of the development of contemporary art practice in Korea through the work of Dansaekhwa artists Kim Guiline, Chung Sang-Hwa, Chung Chang-Sup, Ha Chong-Hyun, Lee Ufan, Park Seo-Bo and Yun Hyong-Keun.
546			_aEnglish; Korean
650			_aN4390-5098 Visual Arts. Exhibitions _92
651			_aKorea _95261
700			_aBardaouil, Sam _94786
700			_aFellrath, Till _94787
700			_aHerman, Nick _94788
700			_aJinsang Yoo _94789
700			_aMunroe, Alexandra _94790
700			_aYoon Jim Sup _94791
942			_cBK _2lcc
999			_c4434 _d4434