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040			_c--
245		0	_aWrite Injuries on Sand and Kindness in Marble _c/ Artist: Hera Buyuktasciyan. Editor: Anna Wallace-Thompson
260			_aDubai; _bGreen Art Gallery; _c2017
300			_a205p; _c25x19cm
505			_aFor Hera Büyüktaşçıyan, the term aquamorphology grants water a physical, transformative agency through its collaboration with time. It symbolizes the fluid, aquatic nature of memory, as it can simultaneously purify, divide, connect, heal and destroy. In her solo exhibition at Green Art Gallery, Write Injuries on Sand and Kindness in Marble (13 March – 6 May), Büyüktaşçıyan uses the space’s previous life as a marble factory as a starting point for questions about frameworks of power, labour, production and reconstruction of memory. Much of Büyüktaşçıyan’s work is defined by an architectural and anthropological approach, and she often favours site-specific installations inspired by the memories found within a place. She examines the way in which virtual spaces operate in relation to the physical, and how fragments of time and memory can be unearthed, restructured and woven together to bring to life a forgotten aspect of time and history. As ever, she also touches on larger issues of geopolitics, culture and ongoing change.
520			_aExhibition catalog. 15 Feb- Apr 2017. Authors: Anna Wallace-Thompson, Hera Buyuktasciyan, Haig Aivazian.
546			_aEnglish
650			_aN4390-5098 Exhibitions _95273
700			_aAivazian, Haig _94556
700			_aBuyuktasciyan, Hera _94557
700			_aWallace-Thompson, Anna _94558
942			_cBK _2lcc
999			_c4349 _d4349