000			02668nam a2200241Ia 4500
001			4227
003			OSt
005			20240926143348.0
008			240708s9999 xx 000 0 und d
020			_a9786557770351
040			_c--
082			_a759.4
245		0	_aPaul Gaugin _b: The Other and I _c/ Edited and curated by: Adriano Pedrosa, Fernando Oliva, and Laura Cosendey
260			_bMuseu de Arte de Sao Paulo Assis Chateaubriand MASP; _c2023
300			_a272p; _c28x21cm
520			_aOtherness and exploitation in the fraught oeuvre of Post-Impressionism's canonical painter This book accompanies the first exhibition to investigate Paul Gauguin’s (1848–1903) relationship with the question of alterity and the exoticizing of otherness in his paintings. Adopting an engagingly critical tone, Paul Gauguin: The Other and I deals with central questions within the celebrated Post-Impressionist’s oeuvre, focusing on both his self-portraits and his works produced in Tahiti. Alongside reproductions of relevant works, the book also features essays that examine the tensions between Gauguin’s biography and the image that the artist assiduously created of himself, as well as the way in which his oeuvre reinforced an imaginary about otherness, addressing crucial and current issues such as the notion of primitivism, the "exotic" and the "tropics," and cultural appropriation, as well as matters related to the erotization of the female body, sexuality and androgyny.Otherness and exploitation in the fraught oeuvre of Post-Impressionism's canonical painter This book accompanies the first exhibition to investigate Paul Gauguin’s (1848–1903) relationship with the question of alterity and the exoticizing of otherness in his paintings. Adopting an engagingly critical tone, Paul Gauguin: The Other and I deals with central questions within the celebrated Post-Impressionist’s oeuvre, focusing on both his self-portraits and his works produced in Tahiti. Alongside reproductions of relevant works, the book also features essays that examine the tensions between Gauguin’s biography and the image that the artist assiduously created of himself, as well as the way in which his oeuvre reinforced an imaginary about otherness, addressing crucial and current issues such as the notion of primitivism, the "exotic" and the "tropics," and cultural appropriation, as well as matters related to the erotization of the female body, sexuality and androgyny.
546			_aEnglish
650			_aND49-813 History _95296
700			_aCosendey, Laura _94201
700			_aOliva, Fernando _94202
700			_aPedrosa, Adriano _94203
942			_cBK _2lcc
999			_c4227 _d4227