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_aBurning Images _b: A History of Effigy Protests _c/ Florian Göttke |
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260 |
_aNetherlands; _bValiz; _c2021 |
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300 |
_a320p; _c23x17cm |
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500 | _aInvestigates a specific, theatrical form of political protest: the destruction of effigies by hanging, burning, or otherwise About the making and analysis of image culture, global news gathering and high-speed distribution via press and social media channels | ||
520 | _aEffigy hanging and burning, a specific theatrical form of political protest, has become increasingly visible in the news media, particularly in protests against United States military operations in Afghanistan and Iraq, in US domestic politics, and in the Arab Spring. Taking these events as points of departure, Göttke investigates the conditions of this visual genre of protest, its roots and genealogies in a number of countries, its aesthetics and politics. Effigy protests communicate communal outrage over perceived injustice. Hanging and burning effigies is an archaic and ritualistic form of protest, yet it is effectively communicated through global news media and social media, mediated, and used trans-nationally. The book contains two interacting narratives: text (seven chapters) and a parallel montage of images. It delves deeply into the different practices, iconologies, rituals, protest and media strategies, as well as into politics and concludes with a reflection on how the effigy protests act as a symptom of fundamental conflicts at the limits of contemporary liberal democracy. With many images from the United States, Iraq, Egypt, Iran, Afghanistan, and many other areas. | ||
546 | _aEnglish | ||
650 |
_aN5300-7418 Visual Arts- History _95300 |
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650 |
_aPolitical protest _94176 |
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942 |
_cBK _2lcc |
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999 |
_c4219 _d4219 |