000 | 02117nam a2200265Ia 4500 | ||
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001 | 4127 | ||
003 | OSt | ||
005 | 20250224125451.0 | ||
008 | 240514s9999 xx 000 0 und d | ||
020 | _a9781925922165 | ||
040 | _c-- | ||
245 | 0 |
_aMudunama Kundana Wandaraba Jarribirri _c/ Judy Watson; Editing: Mark Gomes, Rebecc Mutch |
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260 |
_bQAGOMA; _c2024 |
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300 |
_a244p; _c29x22cm |
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520 | _aJudy Watson is one of Australia's most globally collected and exhibited artists. Her practice is centred on truth-telling as a Waanyi woman, particularly in relation to environmental protection; historic government policies concerning Indigenous Australians; and collecting institutions that house cultural material often acquired under distressing circumstances. She refers to her research-driven practice as 'rattling the bones of the archive'. mudunama kundana wandaraba jarribirri: Judy Watson is the first Australian state gallery monograph published on Watson and includes paintings, videos, sculptures and select print works from key moments in her 30-year career. Its title, from a poem in Waanyi language by the artist's son Otis Carmichael, translates as 'tomorrow the tree grows stronger'. This beautifully designed hard-cover book features an in-depth examination of Watson's practice and biography by curator Katina Davidson; essay on Watson's international significance by Metis curator Tarah Hogue; interview with and photographs of family members; creative response to Watson's work by Wiradjuri poet Jazz Money; and a map of north-west Queensland and photographs of sites of significance to aid audience's understanding of the connections between Watson's work and Country. It also features an up-to-date Exhibition history and Selected bibliography. | ||
546 | _aEnglish | ||
650 |
_aIndigenous Art _93803 |
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650 |
_aN4390-5098 Visual Arts. Exhibitions _92 |
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651 |
_aAustralia _93804 |
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700 |
_aDavidson, Katina (curator) _93805 |
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700 |
_aGomes, Mark (Editing) _93806 |
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700 |
_aMutch, Rebecca (editor) _93807 |
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700 |
_aWatson, Judy _93808 |
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942 |
_cBK _2lcc |
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999 |
_c4127 _d4127 |