000 | 01790nam a2200325Ia 4500 | ||
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001 | 4106 | ||
003 | OSt | ||
005 | 20240926160652.0 | ||
008 | 240508s9999 xx 000 0 und d | ||
040 | _c-- | ||
245 | 0 |
_aWharfage- Sharjah Creek 2008-2009 _b/ CAMP |
|
250 | _aFirst edition | ||
260 |
_aSharjah; _bSharjah Art Foundation; _c2009 |
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300 |
_a292p; _c21x14cm |
||
505 | _aWHARFAGE is a two-part project by CAMP for the 9th Sharjah Biennial. This publication accompanies a series of radio broadcasts at the Sharjah Creek. From 18-21 March 2009, from 7-10 pm, one could tune into Radio Meena on 100.3 FM, within a radius of about 2 kilometres from the port. | ||
520 | _aWHARFAGE is part of the 'Past of the Coming Days' programme of the biennial, curated by Tarek Abou el Fetouh. It is a project on the creek in Sharjah, from where a large number of dhows leave for 'Somalia'. Somalia, a collection of semi-state entities, is also thereby a kind of 'free trade zone'. This arrow of trade- in which the ship is not an escape from but an entry into, an engagement with, the space of conflict- is our subject. The book consists primarily of shipping manifests which act as a series of "images" of the darkness of the hold, and a calendar of what travelled in particular directions, on the water. | ||
546 | _aEnglish | ||
648 |
_a21st century _95343 |
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650 |
_aEast Africa _93722 |
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650 |
_aIndian Ocean trade; Maritime trade _93723 |
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650 |
_aN4390-5098 Visual Arts- Exhibitions _92 |
||
651 |
_aUAE Sharjah _93724 |
||
700 |
_aAbou el Fetouh, Tarek _93725 |
||
700 |
_aAnand, Shaina _93726 |
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700 |
_aGhouse, Nida _93727 |
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700 |
_aSukumaran, Ashok _93728 |
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710 |
_aCAMP _93729 |
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710 |
_aSharjah Art Foundation _9323 |
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942 |
_cBK _2lcc |
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999 |
_c4106 _d4106 |