000 | 01611nam a2200229Ia 4500 | ||
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001 | 4054 | ||
003 | OSt | ||
005 | 20250224093731.0 | ||
008 | 240501s9999 xx 000 0 und d | ||
020 | _a9781912719525 | ||
040 | _c-- | ||
245 | 0 |
_aDisruptions- Taysir Batniji / _bتشويش- تيسير البطنيجي |
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260 |
_aLondon and Marseille; _bLoose Joints Studio; _c2024 |
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300 |
_a150p; _c21x15cm |
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520 | _aBatniji’s disrupted images visualise both the current violence and historical repression imposed on Palestine through digitally degraded images of video calls with his family in Gaza. Palestinian artist Taysir Batniji’s diverse practice is often tinged with impermanence and fragility, drawing inspiration from his subjective experience and its relation to current events and history. In Disruptions, Batniji collects fragmented screenshots taken between 24 April 2015 and 23 June 2017 during several WhatsApp video conversations with his mother and family in Gaza. Settled in Europe and unable to return to his homeland for years, this digital commons provided a crucial meeting ground for Batniji and his family: a digital space nonetheless shaped and destabilised by the same forces affecting the artist’s relatives in everyday life. With an essay in French, Arabic and English by Taous R. Dahmani. | ||
546 | _aEnglish; French; Arabic | ||
650 |
_aN4390-5098 Visual Arts. Exhibitions _92 |
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651 |
_aPalestine. Gaza _93387 |
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700 |
_aBatniji, Taysir تيسير البطنيجي _93388 |
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700 |
_aDahmani, Taous طاوس دهماني _93389 |
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942 |
_cBK _2lcc |
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999 |
_c4054 _d4054 |