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001			4026
003			OSt
005			20241127131930.0
008			240304s9999 xx 000 0 und d
010			_a2020934247
020			_a9783110528749
040			_c--
050			_aN71.D96 2020
082			_a709
245		0	_aDynamis of the Image _b: Moving Images in a Global World _c/ Editors: Emmanuel Alloa and Chiara Cappelletto
260			_aBerlin/Boston; _bWalter de Gruyter GmBH _c2020
300			_a394p; _c24x18cm
490			_aContact Zones- Series editors: Lars Blunck, Benedicte Savoy, Avinoam Shalem _v#5
505			_aCONTENT: Emmanuel Alloa and Chiara Cappelletto- The Dynamis of the Image (and the Genesis of a Book) Potentialities --Gil Bartholeyns- On the ‘Virtus’ of Images: Medieval Practices, Contemporary Theories --Ticio Escobar- Ta’angá verá: The Power of Images in an Amerindian Perspective --Hans Belting- The Migration of Images: An Encounter with Figuration in Islamic Art --Linda Báez-Rubí- Wanderstrassen: Traveling Images — Moving Ideas Between Continents --W.J.T. Mitchell- Method, Madness, and Montage --Philippe-Alain Michaud- On Screen Images at War, Images of Wars --Georges Didi-Huberman- Torrents and Barricades --Emmanuel Alloa- ‘Just Terror’: The Visual Communication of ISIS --Susan Buck-Morss- Visual Empire 2.0 --Chiara Cappelletto- The Dynamis of Fiction in the Globalized World: On Walid Raad’s Images in Transfer --Angela Mengoni- Visualizing Autoimmunity: Gerhard Richter’s War Cut Decentering Visual Studies --Sunil Manghani- Image Degree Zero: From the Empirical Image to Image as Capacity --A.S. Aurora Hoel- Images as Active Powers for Reality: A Simondonian Approach to Medical Imaging --Morad Montazami- From Speculative to Heretical Orientalism: The Paul Klee Syndrome in the Hamed Abdalla Archives - Avinoam Shalem- The Transformative Museum. Why We Need an Other Museum for the Arts of Islam
520			_aImages are not neutral conveyors of messages shipped around the globe to achieve globalized spectatorship. They are powerful forces that elicit very diverse responses and can resist new visual hegemonies of our global world. Bringing together case studies from the field of media, art, politics, religion, anthropology and science, this volume breaks new ground by reflecting on the very power of images beyond their medial exploitation. The contributions by Hans Belting, Susan Buck-Morss, Georges Didi-Huberman, W.J.T. Mitchell, and Ticio Escobar among others testify that globalization does not necessarily equal homogenization, and that images can open up alternative ways of picturing what is to come.
546			_aEnglish
648			_a21st century
650			_aAnthology _93258
650			_aN61-72 Study and Teaching. Research _93259
651			_aGlobal _93260
700			_aAlloa, Emmanuel _93261
700			_aCappelletto, Chiara _93262
942			_cBK _2lcc
999			_c4026 _d4026