000			02124nam a2200301Ia 4500
001			4024
003			OSt
005			20241127124712.0
008			240304s9999 xx 000 0 und d
010			_a20190197102
020			_a9781927886229
040			_c--
050			_aGN35.B43 2020
082			_a305.80074-- _bdc23
245		0	_aBecoming Our Future: _bGlobal Indigenous Curatorial Practice/ _cEdited by Julie Nagam; Carly Lane; Megan Tamati-Quennell
260			_aWinnipeg, Manitoba; _bARP Books; _c2020
300			_a240p; _c25x25cm
520			_aThis book investigates international Indigenous methodologies in curatorial practice from the geographic spaces of Canada, Aotearoa (New Zealand) and Australia. From a perspective of Indigenous peoples important place within society, this collection explores how Indigenous art and culture operate within and from a structural framework that is unique and is positioned outside of the non-Indigenous cultural milieu. Through a selection of contributions, Becoming Our Future articulates this perspective, defines Indigenous curatorial practice and celebrates Indigenous sovereignty within the three countries. It begins to explore the connections and historical moments that draw Indigenous curatorial practices together and the differences that set them apart. This knowledge is grounded in continuous international exchanges and draws on the breadth of work within the field. With contributions from Nigel Borell, Freja Carmichael, Karl Chitham, Nici Cumpston, Léuli Eshra ̄ghi, Reuben Friend, Jarita Greyeyes, Ioana Gordon-Smith, Dr. Heather Igloliorte, Jaimie Isaac, Carly Lane, Cathy Mattes, Kimberley Moulton, Lisa Myers, Dr. Julie Nagam, Dr. Jolene Rickard, Megan Tamati-Quennell, Josh Tengan and Daina Warren.
546			_aEnglish
648			_a21st century
650			_aIndigenous artists. _93247
650			_aN8350-8356 Art as a Profession. Artists
651			_aCanada, Aotearoa (New Zealand) and Australia _93248
700			_aLane, Carly _93249
700			_aNagam, Julie _93250
700			_aTamati-Quennell, Megan _93251
942			_cBK _2lcc
999			_c4024 _d4024