| 000 | 01352nam a2200301Ia 4500 | ||
|---|---|---|---|
| 001 | 4017 | ||
| 003 | OSt | ||
| 005 | 20241125151704.0 | ||
| 008 | 240304s9999 xx 000 0 und d | ||
| 010 | _a20230210 | ||
| 020 | _a9781503635913 | ||
| 040 | _c-- | ||
| 050 | _aNX180.P64T65 2023 | ||
| 082 |
_a709.61-- _bdc23 |
||
| 100 |
_aTolan-Szkilnik, Paraska _93216 |
||
| 245 | 0 |
_aMaghreb Noir: _bThe Militant-Artists of North Africa and the Struggle for a Pan-African, Postcolonial Future/ _cParaska Tolan-Szkilnik |
|
| 260 |
_bStanford University Press; _c2023 |
||
| 300 |
_a251p; _c23x15cm |
||
| 490 | _aWorlding the Middle East | ||
| 520 | _aUpon their independence, Moroccan, Algerian, and Tunisian governments turned to the Global South and offered military and financial aid to Black liberation struggles. Tangier and Algiers attracted Black American and Caribbean artists eager to escape American white supremacy; Tunis hosted African filmmakers for the Journées Cinématographiques de Carthage; and young freedom fighters from across the African continent established military training camps in Morocco | ||
| 546 | _aEnglish | ||
| 648 | _a20th century | ||
| 650 |
_aDecolonization struggles _93217 |
||
| 650 | _aN5300-7418 Visual Arts- History | ||
| 650 |
_aPan-Africanism _93218 |
||
| 651 |
_aNorth Africa _93219 |
||
| 942 |
_cBK _2lcc |
||
| 999 |
_c4017 _d4017 |
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