000 | 01633nam a2200289Ia 4500 | ||
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001 | 3999 | ||
003 | OSt | ||
005 | 20241125120926.0 | ||
008 | 240304s9999 xx 000 0 und d | ||
020 | _a9788965642220 | ||
040 | _c-- | ||
245 | 0 |
_aDigital Promenade/ _cNam-si Kim, Ji-hoon Kim, Kyeong-hwan Yeo, Hyun-jin Lee, David Joslett, Edward A. Chancon and Yusi Parrikar |
|
260 |
_bSeoul Museum of Art; _c2018 |
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300 |
_a496p; _c30x22cm |
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520 | _aCatalog of the exhibition “Digital Promenade” prepared to celebrate the 30th anniversary of the opening of the Seoul Museum of Art. From the collection of the Seoul Museum of Art, 30 pieces were selected using the keywords ‘nature and walking’. The theme of nature and walking is primarily a reinterpretation of art and museums. In particular, the apocryphal landscape of nature was the oldest material and subject of art. The most fundamental questions of art, such as how to capture the object of nature in a two-dimensional plane called a painting, can be a valid reference point even in contemporary conditions where the environment surrounding art is rapidly changing. This is a work that connects the past and the present, but also encompasses diagnosis and vision for the future. | ||
546 | _aKorean, English | ||
650 | _aN4390-5098 Exhibitions | ||
651 |
_aKorean Art _93155 |
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700 |
_aNam-si Kim _93156 |
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700 |
_aJi-hoon Kim _93157 |
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700 |
_aKyeong-hwan Yeo _93158 |
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700 |
_aHyun-jin Lee _93159 |
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700 |
_aJoslett, David _93160 |
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700 |
_aChancon, Edward A. _93161 |
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700 |
_aParrikar, Yusi _93162 |
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942 |
_cBK _2lcc |
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999 |
_c3999 _d3999 |