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001			3979
003			OSt
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008			240117s9999 xx 000 0 und d
010			_a2012954123
020			_a9780262518345
040			_c--
050			_aN72.G55 G53 2013
082			_a709.04
245		4	_aThe Global Contemporary and the Rise of New Art Worlds _c/ Edited by Hans Belting, Andrea Buddensieg and Peter Weibel
260			_bZKM | Center for Art and Media Karlsruhe; MIT Press; _c2013
300			_a464p; _c28x21cm
520			_aMapping the new geography of the visual arts, from the explosion of biennials to the emerging art markets in Asia and the Middle East. The geography of the visual arts changed with the end of the Cold War. Contemporary art was no longer defined, exhibited, interpreted, and acquired according to a blueprint drawn up in New York, London, Paris, or Berlin. The art world distributed itself into art worlds. With the emergence of new art scenes in Asia and the Middle East and the explosion of biennials, the visual arts have become globalized as surely as the world economy has. This book offers a new map of contemporary art's new worlds. The Global Contemporary and the Rise of New Art Worlds documents the globalization of the visual arts and the rise of the contemporary over the last twenty years. Lavishly illustrated, with color throughout, it tracks developments ranging from exhibition histories and the rise of new art spaces to art's branding in such emerging markets as Hong Kong and the Gulf States. Essays treat such subjects as curating after the global turn; art and the migration of pictures; the end of the canon; and new strategies of representation.
546			_aEnglish; Arabic
648			_a20th century
650			_aArt exhibitions. _93042
650			_aBiennials. _9987
650			_aN61-72 Theory. Philosophy. Aesthetics of the visual arts
651			_aGlobal. _93043
700			_aBelting, Hans _93044
700			_aBuddensieg, Andrea _93045
700			_aWeibel, Peter _93046
942			_cBK _2lcc
999			_c3979 _d3979