000			02042nam a2200229Ia 4500
001			3931
003			OSt
005			20241121144458.0
008			240117s9999 xx 000 0 und d
020			_a9789198606591
040			_c--
245		0	_aRefugee Heritage 2014-2021: World Heritage Nomination Dossier- _bتراث الالجئين ملف الترشيح للتراث العالمي مشروع دار // ساندي هالل وأليساندرو بيتي التوثيق الفوتوغرافي من قبل لوكا كابوانو _c/ by Sandi Hilal (Author), Alessandro Petti Eds. (Author)
260			_bArt And Theory; _c2021
300			_a328p; _c30x22cm
500			_aInstitutional collaboration DAAR- Decolonizing Architecture Art Residency, Campus in Camps- جامعة في المخيم, Popular committees of Southern West Bank Refugee Camps: Royal Insitute of Art Kungl.Konsthogskolan, iaspis- The Swedish Arts GrantsCommittee's International Programme for Visual and Applied Artists, e-flux Architecture, Van Abbe Museum Eindhoven, Art Jameel, Art and Theory Publishing.
520			_aRefugee camps are established with the intention of being demolished. As a paradigmatic representation of political failure, they are meant to have no history and no future; they are meant to be forgotten. The history of refugee camps is constantly being erased and dismissed by states, humanitarian organisations, international agencies, and even by refugee communities themselves, who fear that any acknowledgment of the present condition in the camp may undermine their right of return to their place of origin. In tracing, documenting, revealing, and representing refugee history beyond the narrative of suffering and displacement, this book is an attempt to imagine and practice ‘refugeeness’ beyond humanitarianism. Photographic documentation by Luca Capuano.
546			_aEnglish; Arabic
650			_aNA1-60 Architecture- General _92896
700			_aHilal, Sandi _92897
700			_aPetti, Alessandro _92898
942			_cBK _2lcc
999			_c3931 _d3931