| 000 | 01785nam a2200265Ia 4500 | ||
|---|---|---|---|
| 001 | 3926 | ||
| 003 | OSt | ||
| 005 | 20241121144108.0 | ||
| 008 | 240117s9999 xx 000 0 und d | ||
| 010 | _a2018037351 | ||
| 020 | _a9781478003052 | ||
| 040 | _c-- | ||
| 050 | _aN6497.S64 2019 | ||
| 082 |
_a709.05-- _bdc23 |
||
| 100 |
_aSmith, Terry _91766 |
||
| 245 | 0 |
_aArt to Come _b: Histories of Contemporary Art _c/ Terry Smith |
|
| 260 |
_bDuke University Press; _c2019 |
||
| 300 |
_a456p; _c22x15cm |
||
| 520 | _aIn Art to Come Terry Smith— who is widely recognized as one of the world's leading historians and theorists of contemporary art—traces the emergence of contemporary art and further develops his concept of contemporaneity. Smith shows that embracing contemporaneity as both a historical concept and a condition of the globalized world allows us to grasp how contemporary art exists in a fluid space of increasing interdependencies, multiple contemporaneous modernities, and persistent inequalities. Throughout these essays, Smith offers systematic proposals for writing contemporary art's histories while assessing how curators, critics, philosophers, artists, and art historians are currently doing so. Among other topics, Smith examines the intersection of architecture with other visual arts, Chinese art since the Cultural Revolution, how philosophers are theorizing concepts associated with the contemporary, Australian Indigenous art, and the current state of art history. Art to Come will be essential reading for artists, art students, curators, gallery workers, historians, critics, and theorists. | ||
| 546 | _aEnglish | ||
| 648 | _a21st century | ||
| 650 |
_aContemporary art. _91151 |
||
| 650 | _aN5300-7418 Visual Arts- History | ||
| 942 |
_cBK _2lcc |
||
| 999 |
_c3926 _d3926 |
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