000			01830nam a2200229Ia 4500
001			3923
003			OSt
005			20241121143826.0
008			240117s9999 xx 000 0 und d
020			_a9789490939212
040			_c--
245		0	_aIslamic Vases Revisited _c/ Edo Smithshuijzen
260			_bKhatt Books; _c2020
300			_a128p; _c22x15cm
520			_aVases are practically as old as humanity. Each world culture created its own traditional version of containers. Also the Islamic culture had their own types of vases in which the Arabic script played an important role. Over the centuries, the Arabic script has seen endless varieties and styles, also due to the fact that different languages made use of the script, like Arabic, Persian, Indian and Turkish.0In archeological terms an artefact is only called?complete?, when sufficient parts of an artefact have been found to reliably reconstruct the shapes of the missing parts, and thus been given the option to recreate the whole artefact. In this publication the author examines what happens when you make artefacts more than complete.0In the effort, he makes use of the extremely rich Islamic calligraphic tradition. Copying nameless samples found on the digital media. But he also experiments with typefaces designed by contemporary type designers. Traditionally, the vases were ceramic or glass vases. The author uses contemporary digital methods to create the images and to eventually produce his designs in an attempt to inspire and encourage designers to make use of contemporary methods of production to revive a rich tradition.
546			_aEnglish
650			_aArabic Calligraphy. _9666
650			_aCeramics. _92878
650			_aNK1648-1678 Decorative Arts- Religious art _92879
700			_aSmithshuijzen, Edo _92880
942			_cBK _2lcc
999			_c3923 _d3923