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040			_c--
245		0	_aCrating the World _c/ Jacqueline Hoàng Nguyen. Editors: Rado Ištok, Jacqueline Hoàng Nguyễn.
260			_bAthénée Press; _c2019
300			_a192p; _c19x11cm
500			_aThe exhibition 'Black Atlas' and the publication 'Crating the World' were made possible with the support of the Museum of Ethnography in Stockholm, SWICH- Sharing a world of Inclusion, Creativity and Heritage, Sharjah Art Foundation, Konstfack Artists' Book Collection 1, CAMPLE LINE, the Swedish Arts Grants Committee and the Canada Council for the Arts.
520			_aMuseums of world culture have seldom engaged in self-conscious examination of how their collections were constituted. What were the logistics for transporting these artifacts and how did this material culture become a source for knowledge production in the West? In short, how did the world come to Europe? Crating the World, a project by artist Jacqueline Hoàng Nguyễn, brings together artistic research with essays by leading scholars to examine the historical and ideological constructions of material culture through collecting and photographic practices. Expanding on Nguyễn's traveling exhibition Black Atlas, originally hosted in 2016 by the Museum of Ethnography in Stockholm, Sweden, this book deploys rare and previously unpublished archival material as testimony to the silenced histories of exploitation on which the institution is built. Co-edited by Rado Ištok and Jacqueline Hoàng Nguyễn Contributors: Ariella Azoulay, Michael Barrett, Ulrika Flink, Åsa Bharathi Larsson, Wayne Modest, Gabrielle Moser, and Vincent Normand.
546			_aEnglish
650			_aCultural Appropriation. _92849
650			_aN7560-8266 Special subjects of art _92850
650			_aRestitution _92851
650			_aMuseum collections. _92852
700			_aIštok, Rado _92853
700			_aNguyen, Jacqueline Hoàng _92854
942			_cBK _2lcc
999			_c3906 _d3906