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040			_c--
100			_aAbu Hamdan, Lawrence _91451
245		0	_aLawrence Abu Hamdan _b: Dirty Evidence _c/ Editor: Fabian Schoneich; Authors: Lawrence Abu Hamdan, Natasha Ginwala, Ruba Katrib, Andrea Lissoni, Ramona Naddaff, Fabian Schoneich; Yasmine Seale, Theodor Ringborg, Eyal Weizman
260			_aStockholm; _bBonniers Konsthall; Lenz Press; _c2021
300			_a254p; _c26x19cm
520			_aOn the occasion of Lawrence Abu Hamdan's exhibition at Bonniers Konsthall in Stockholm in 2021, a group of authors have been invited to engage with individual works and their underlying concepts. Abu Hamdan recognizes the space for art as a site where attention can be drawn to real socio-political conditions in order to challenge the structures behind them. The artist can therefore push at the boundaries of what constitutes testimony. The title "Dirty Evidence" comes from Abu Hamdan's definition of evidence in which a truth value is derived from its very inadmissibility before the law. It is precisely the evidence's figurative dirt and dirtiness that works toward the production of truth.
546			_aEnglish
650			_aN4390-5098 Exhibitions
700			_aAndrea Lissoni _91452
700			_aEyal Weizman _91453
700			_aFabian Schoneich _91454
700			_aLawrence Abu Hamdan _91141
700			_aNatasha Ginwala _9192
700			_aRamona Naddaff _91455
700			_aRuba Katrib _91456
700			_aTheodor Ringborg _91457
700			_aYasmine Seale _91458
942			_cBK _2lcc
999			_c3623 _d3623