000			02030nam a2200241Ia 4500
001			3620
003			OSt
005			20241030155941.0
008			231005s9999 xx 000 0 und d
020			_a9789948344605
040			_c--
100			_aAbu Hamdan, Lawrence _91444
245		0	_aArtist's Rooms: Lawrence Abu Hamdan _bلورينس أبو همدان _c/ Abu Hamdan, Lawrence
260			_aDubai; _bJameel Arts Centre _c2020
300			_a60p; _c18x13cm
490			_aArtist's Rooms
520			_aThis bilingual publication features a text by Skye Arundhati Thomas*, exploring Abu Hamdan’s practice and ways in which the artist tackled issues around borders, surveillance and displacement. --------------Drawn largely from the Art Jameel Collection, Artist’s Rooms is a series of solo exhibitions by influential, innovative artists, with particular focus on practitioners from the Middle East, Asia and Africa. These capsule shows are collaborative and curated in dialogue with the artist. ------------- *The essay by Skye Arundhati Thomas was first published in the exhibition catalogue Lawrence Abu Hamdan: The Voice Before The Law, ed. Ina Dinter (Cologne: Wienand Verlag, 2019), 24-28. ‘The Voice Before the Law’ was presented at Nationalgalerie im Hamburger Bahnhof—Museum für Gegenwart—Berlin from October 26, 2019, to February 9, 2020. -------------- About the Artist: Lawrence Abu Hamdan is a ‘Private Ear.’ His interest with sound and its intersection with politics originate from his background as a touring musician and facilitator of DIY music. The artist’s audio investigations have been used as evidence at the UK Asylum and Immigration Tribunal and as advocacy for organisations such as Amnesty International and Defence for Children International together with fellow researchers from Forensic Architecture.
546			_aEnglish; Arabic
650			_aN4390-5098 Exhibitions
700			_aSkye Arundhati Thomas _91445
710			_aJameel Arts Centre Dubai _91446
942			_cBKLET _2lcc
999			_c3620 _d3620