000			01718nam a2200217Ia 4500
001			2743
008			231005s9999 xx 000 0 und d
020			_a9788489771130
245		0	_a0-24 h Ignasi Aballi _c/ Editors: Anna Jiménez Jorquera, Maria Ramos
260			_aPortugal; _bMuseuSerralves Museu de Arte Contemporanea; _c2005
300			_a250p; _c20x16cm
520			_aThis work contains text by Bartomeu Mari, Dan Cameron, Robert Bresson, Andrew Renton, Georges Perec, Gerard Wajcman. "Ikon" presents the first solo exhibition of work by Spanish artist Ignasi Aballi. Involving a wide variety of media, it is concerned with the nature of nothingness. Absence and disappearance are themes threaded through a selection of work. "People" (2000 - 2005) consisting of shoe scuff marks on the wall, suggests a queue of waiting individuals, now moved on. Other works in "0-24 H" reiterate a tendency to counteract conventional practice. "Waste" (2001) comprises a number of opened cans of white paint, informally arranged on the floor. Close inspection reveals that the cans are not full - but, on the other hand, the paint has not been used. Simply, it is in the process of slow evaporation, occurring through human inactivity. Ignasi Aballí, Dan Cameron (Interviewer), Anna Jiménez Jorquera (Editor), Bartomeu Marí (Author), Maria Ramos (Editor), John Tittensor (Translator), Fundação de Serralves (Editor), Ikon Gallery (Birmingham, Grã-Bretanha)
546			_aEnglish; Portuguese
648			_aContemporary Art _91231
650			_aN4390-5098 Exhibitions
651			_aSpain _91428
700			_aAnna Jimenez Jorquera _91429
700			_aIgnasi Aballi _91430
700			_aMaria Ramos _9373
942			_cBK
999			_c3615 _d3615