000 01993nam a2200265Ia 4500
001 3606
003 OSt
005 20241007150611.0
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020 _a9788671013291
040 _c--
245 0 _aOn Neutrality:
_bO Neutralnosti
_c/ Jelena Vesić; Rachel O'Reilly; Vladimir Jerić Vlidi
260 _aBelgrade;
_bMuseum of Contemporary Art;
_c2016
300 _a32p;
_c21x15cm
490 _aNon-aligned Modernisms / Nesvrstani Modernizmi
_v#6
520 _aNeutrality as a political concept has existed as long as there has been warfare. At its simplest, neutrality means not taking part in a war, or, in more durational terms, to remain uncontaminated by great rivalries. But with any second glance through its conflicting legacies, the terminological negativity of the Neutral gets quite complex — juxtapolitical and generative — as it continues to be utilized across progressive and conservative, legal-normative and revolutionary identifications. It is often said that in international law there is no term more complex, entangled and subtle than the one of neutrality. Within the history of Non-Aligned Movement (NAM), we locate Neutrality as not a static term, nor a petrified legal institution, but rather a dynamic category of position taking. Our research experiment tracks through Neutrality as a political discourse of comportment, as a strategy, and as a historic geopolitical phenomenon, constitutive of philosophies of war and peace, or of inequality in conflict. We consider the NAM experiments in Active Neutrality as key element of both the genealogy of the very term of Neutrality and what the movement was about.
546 _aEnglish; Serbian
648 _a21st century
_91391
650 _aInternational relations
_91392
650 _aN81-390 Study and teaching. Research
_91393
700 _aJelena Vesic
_91394
700 _aRachel O'Reilly
_91395
700 _aVladimir Jeric Vlidi
_91396
942 _cBK
_2lcc
999 _c3606
_d3606