000 | 01919nam a2200301Ia 4500 | ||
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001 | 3592 | ||
003 | OSt | ||
005 | 20241007153604.0 | ||
008 | 231005s9999 xx 000 0 und d | ||
020 | _a9783960989172 | ||
040 | _c-- | ||
245 | 0 |
_aArt and its Worlds _b: Exhibitions, Institutions and Art Becoming Public |
|
260 |
_bAfterall Books; Walther Koenig; _c2021 |
||
300 |
_a432p; _c24x17cm |
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490 |
_aAfterall Exhibition Histories; _v#12 |
||
520 | _aAn anthology of essays on art’s relation to the public realm since 1989. This critical anthology explores the myriad histories and worlds through which art is produced and experienced. It is guided by the following questions: How are the “global” and the “located” shaped and understood in disparate contexts and times? How have artists experimented with modes of exhibition-making and public presentation? Key essays previously published by Afterall are included alongside new image-led presentations, translated material and commissioned texts. The anthology addresses the topic in both theoretical terms and through case studies. ---------- Contributors include: Silvia Rivera Cusicanqui, Miguel A. López, Eddie Chambers, Francesca Recchia, Pablo Lafuente, Philippe Pirotte, Ntone Edjabe, Clémentine Deliss, Khwezi Gule, Charles Gaines, David Teh, Ekaterina Degot, Ana Teixeira Pinto, María Berríos, Mujeres Creando, Comunitario del Valle de Xico, Tonika Sealy Thompson and Stefano Harney. ----------- 9783960989172 (Koenig); 9781846382567 (Afterall). | ||
546 | _aEnglish | ||
648 |
_a20th century _91327 |
||
650 |
_aMuseum Studies _9318 |
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650 |
_aN5300-7418 Visual Arts- History _95490 |
||
700 |
_aCharles Esche _9106 |
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700 |
_aDavid Morris _91328 |
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700 |
_aEddie Chambers _91329 |
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700 |
_aLucy Steeds _91330 |
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700 |
_aNtone Edjabe _9993 |
||
710 |
_aAfterall Books London _91331 |
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942 |
_cBK _2lcc |
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999 |
_c3592 _d3592 |