000 02621nam a2200337Ia 4500
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020 _a9783960987536
040 _c--
245 0 _aUncooperative Contemporaries
_b: Art Exhibitions in Shanghai in 2000
_c/ Afterall Books in association with Asia Art Archive and the Center for Curatorial Studies, Bard College;
260 _aKoln;
_bWalther Konig;
_c2020
300 _a270p;
_c24x17cm
490 _aAfterall Exhibition Histories;
520 _aSeries Editors: Lauren Cornell, Tom Eccles, Charles Esche, Pablo Lafuente, Lucy Steeds, John Tain. Modern perspectives on art and politics in Shanghai in 2000. Shanghai's 'exhibition frenzy' in 2000 presented conflicting positions at a transitional moment for 'global' contemporary art. This book explores what was at stake for modernity, contemporaneity, nationalism, internationalism and globalism in the city at the time, while looking back from diverse perspectives today. Landmark artist-led initiatives are analysed alongside the state-led Shanghai Biennale, then in its third edition, with the terrain further complicated by public interventions and commercial initiatives. What contrasting modes of public address were developed? How did visitors engage at the time, and how may we engage afresh now? And how might this moment in Shanghai index wider transformations of the art field? With essays by Jane DeBevoise, Lee Weng Choy, Liu Ding and Carol Yinghua Lu and Mia Yu; archival texts by Xu Hong and Zhou Zixi; reflections by Ai Weiwei, Chen Lingyang, Chen Yanyin, Feng Boyi, Hou Hanru, Li Liang, Li Xiangyang, Li Xu, Liang Shaoji, Xu Zhen, Yang Zhenzhong, Yang Zhichao, Zhang Qing, Zheng Shengtian and Zhu Yu (assembled by Anthony Yung); and an introduction by John Tain.
546 _aEnglish
648 _a21st century
_91318
650 _aContemporary Art
_91151
650 _aN5300-7418 Visual Arts- History
_95491
651 _aChina
_91319
700 _aAi Weiwei
_91320
700 _aHou Hanru
_91164
700 _aJane DeBevoise
_91321
700 _aLee Weng Choy
_91322
700 _aMia Yu
_91323
700 _aModern perspectives on art and politics in Shanghai in 2000 Here, contributions by Jane DeBevoise, Lee Weng Choy, Mia Yu, Hou Hanru, Wu Hung and Ai Weiwei, among others, analyze art in Shanghai in 2000, when artist-led initiatives and the state-led Shanghai Biennale complicated conceptions of nationalism and globalism.
_91324
700 _aWu Hung
_91325
710 _aAfterall Books London
_91326
942 _cBK
_2lcc
999 _c3591
_d3591