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001 | 3591 | ||
003 | OSt | ||
005 | 20241007153816.0 | ||
008 | 231005s9999 xx 000 0 und d | ||
020 | _a9783960987536 | ||
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245 | 0 |
_aUncooperative Contemporaries _b: Art Exhibitions in Shanghai in 2000 _c/ Afterall Books in association with Asia Art Archive and the Center for Curatorial Studies, Bard College; |
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_aKoln; _bWalther Konig; _c2020 |
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_a270p; _c24x17cm |
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490 | _aAfterall Exhibition Histories; | ||
520 | _aSeries Editors: Lauren Cornell, Tom Eccles, Charles Esche, Pablo Lafuente, Lucy Steeds, John Tain. Modern perspectives on art and politics in Shanghai in 2000. Shanghai's 'exhibition frenzy' in 2000 presented conflicting positions at a transitional moment for 'global' contemporary art. This book explores what was at stake for modernity, contemporaneity, nationalism, internationalism and globalism in the city at the time, while looking back from diverse perspectives today. Landmark artist-led initiatives are analysed alongside the state-led Shanghai Biennale, then in its third edition, with the terrain further complicated by public interventions and commercial initiatives. What contrasting modes of public address were developed? How did visitors engage at the time, and how may we engage afresh now? And how might this moment in Shanghai index wider transformations of the art field? With essays by Jane DeBevoise, Lee Weng Choy, Liu Ding and Carol Yinghua Lu and Mia Yu; archival texts by Xu Hong and Zhou Zixi; reflections by Ai Weiwei, Chen Lingyang, Chen Yanyin, Feng Boyi, Hou Hanru, Li Liang, Li Xiangyang, Li Xu, Liang Shaoji, Xu Zhen, Yang Zhenzhong, Yang Zhichao, Zhang Qing, Zheng Shengtian and Zhu Yu (assembled by Anthony Yung); and an introduction by John Tain. | ||
546 | _aEnglish | ||
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_a21st century _91318 |
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_aContemporary Art _91151 |
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_aN5300-7418 Visual Arts- History _95491 |
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_aChina _91319 |
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_aAi Weiwei _91320 |
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_aHou Hanru _91164 |
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_aJane DeBevoise _91321 |
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_aLee Weng Choy _91322 |
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_aMia Yu _91323 |
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_aModern perspectives on art and politics in Shanghai in 2000 Here, contributions by Jane DeBevoise, Lee Weng Choy, Mia Yu, Hou Hanru, Wu Hung and Ai Weiwei, among others, analyze art in Shanghai in 2000, when artist-led initiatives and the state-led Shanghai Biennale complicated conceptions of nationalism and globalism. _91324 |
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_aWu Hung _91325 |
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_aAfterall Books London _91326 |
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_cBK _2lcc |
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_c3591 _d3591 |