000			02587nam a2200277Ia 4500
001			3489
003			OSt
005			20241231161323.0
008			230919s9999 xx 000 0 und d
020			_a9786148035166
040			_c--
100			_aCahn, Isabelle إيزابيل كان _91026
245		0	_aمن وحي اليابان: _bرواد الفن الحديث / _cإيزابيل كان
260			_aBeirut; _bKaph- Art Books from the Middle East; _c2018
300			_a176p; _c29x24cm
520			_a"This catalogue is published on the occasion of the exhibition ""Japanese Connections: The Birth of Modern Décor"" held at Louvre Abu Dhabi from Sept-Nov 2018. Edited with text by Isabelle Cahn. Foreword by Mohamed Khalifa Al Mubarak, Jean-Luc Martinez, Manuel Rabaté, Laurence des Cars. Text by Brigitte Koyama-Richard, Élise Dubreuil, Fabienne Fravalo. How the 19th-century fashion for Japonisme transformed European art and culture Starting in the 1860s, a partiality for Japanese culture emerged in France, followed by England, which was to continue for almost 50 years. Giving rise to the fashion for “Japonisme,” it followed on from the taste for “chinoiserie” that was in vogue in the courts of Europe at the end of the 18th century, and that had fascinated several generations of Romantic artists during the first half of the 19th century. Most of the innovative artists collected these prints and were influenced by the themes specific to ukiyo-e, such as the seasons and climatic conditions. Hokusai, Hiroshige and Utamaro, woodblock print artists who were little thought of in Japan due to the “lightness” of their works, were considered masters in France. Their influence, combined with that of photography and scientific discoveries relating to matter, had a profound effect on how the world and academic certainties based on unchanging principles were viewed. The aesthetic revolution initiated by the Impressionists was pursued by artists such as Van Gogh and Gauguin, who both succumbed to the appeal of Japonisme and took up the formal simplification and bright colors of woodblock prints. The artistic exploration of such artists was to lead to the overturning of visual representation, of which the Nabis were direct heirs."
546			_aArabic
650			_aDesign influences _91027
650			_aN5300-7418 Visual Arts- History _92
651			_aJapan
700			_aKoyama-Richard, Brigitte _96507
700			_aDubreuil, Élise _96508
700			_aFravalo, Fabienne _96509
710			_aLouvre Abu Dhabi _95568
942			_cBK _2lcc
999			_c3489 _d3489