000 | 01693nam a2200301Ia 4500 | ||
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001 | 3475 | ||
003 | OSt | ||
005 | 20250312100751.0 | ||
008 | 230919s9999 xx 000 0 und d | ||
020 | _a9788867494897 | ||
040 | _c-- | ||
100 |
_aRosendahl, Lisa _9996 |
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245 | 0 |
_aBiennials as Sites of Historical Narration _b: Thinking Through Göteborg International Biennial for Contemporary Art 2019–2021 _c/ Edited by Lisa Rosendahl |
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260 |
_aMilan; _bMousse Publishing; _c2022 |
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300 |
_a284p; _c24x17cm |
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520 | _aAccompanying the Göteborg International Biennial for Contemporary Art, this book explores the potential of art biennials to propose forms and methods of historical narration that renegotiate the border between past and present, local and global, story and history. Contributors: Ariella Aisha Azoulay, Michael Barrett, Oyindamola Fakeye & Tosin Oshinowo, Natasha Ginwala, Ayesha Hameed, HAMN (Nasim Aghili & Malin Holgersson), Rebecka Katz Thor, Kooperative fur Darstellungspolitik, Oskar Laurin, Jonas (J) Magnusson & Cecilia Gronberg, Cuauhtemoc Medina, Sofia Gallisa Muriente & Marina Reyes Franco, Rasheedah Phillips, Lisa Rosendahl, Lena Swayer, & Nana Osei-Kofi, Joanna Warsza. Translation: Gabriella Berggren, Jennifer Hayashida, John Krause. | ||
546 | _aEnglish | ||
650 |
_aN4390-5098 Visual Arts- Exhibitions _95554 |
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650 |
_aBiennial theory _9997 |
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650 |
_aBiennial history _93243 |
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700 |
_aAyesha Hameed _9998 |
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700 |
_aAzoulay, Ariella Aïsha _92887 |
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_aBarrett, Michael _92888 |
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700 |
_aNatasha Ginwala _9192 |
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700 |
_aOyindamola Fakeye _9999 |
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700 |
_aTosin Oshinowo _91000 |
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942 |
_cBK _2lcc |
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_c3475 _d3475 |