000			02064nam a2200265Ia 4500
001			3468
003			OSt
005			20241008151538.0
008			230919s9999 xx 000 0 und d
020			_a9781905464517
040			_c--
100			_aBhimji, Zarina _9961
245		0	_aZarina Bhimji _c/ Edited by Achim Borchardt-Hume, Kathleen Buhler, Doro Globus with additional support from Shamita Sharmacharja
260			_aLondon; _bRiding House; _c2012
300			_a128p; _c25x21cm
520			_aExhibition catalog. Travelling exhibition at Whitechapel Gallery, Kunstmuseum Bern, Switzerland, The New Art Gallery Walsall. Published in conjunction with a major retrospective, Zarina Bhimji’s work – which questions representation and historical truth – is brought together for the first time. Landscapes and buildings haunted by their layered histories are the protagonists in British artist Zarina Bhimji's photographs and large–scale film installations, with India and East Africa the repeat locations for her foray into the archaeology of place. Sound and picture combine to transform image into metaphor; politics into poetry. This volume presents the first overview of Bhimji’s work, from early installation pieces – such as She Loved to Breathe: Pure Silence (1987) – to her critically acclaimed film Out of Blue (2002), and much-anticipated latest work Yellow Patch (2011). Accompanying a survey exhibition spanning 25 years of Bhimji’s career, this volume includes an essay by art historian and writer TJ Demos in which he analyses what he calls Bhimji’s ‘Cinema of Affect’, as well as an in-depth conversation between the artist and the exhibition’s curators Achim Borchardt-Hume and Kathleen Bühler.
546			_aEnglish
650			_aN4390-5098 Exhibitions _95547
650			_aUK - South Asian diaspora _9962
700			_aAchim Borchardt-Hume (editor) _9963
700			_aDoro Globus (editor) _9964
700			_aKathleen Buhler (editor) _9965
700			_aShamita Sharmacharja (editor) _9966
942			_cBK _2lcc
999			_c3468 _d3468