| 000 | 01199nam a2200217Ia 4500 | ||
|---|---|---|---|
| 001 | 3461 | ||
| 003 | OSt | ||
| 005 | 20241008144514.0 | ||
| 008 | 230919s9999 xx 000 0 und d | ||
| 020 | _a9789954326244 | ||
| 040 | _c-- | ||
| 245 | 0 |
_aFouad Bellamine _b: Fragments d'un miroir _c/ Yasmine Naji |
|
| 260 |
_bKulte Editions; _c2013 |
||
| 300 |
_a60p; _c31x24cm |
||
| 520 | _aFouad Bellamine returns to these slabs of night which are for him the steles of the cemeteries of Fez, the city where he was born. The night grass, the lichens, the light, the tombs of the Cemeteries of Fez series are like its Sainte-Victoire, of which Cézanne underlined the “perfume of distant marble”, a motif “where clarity is spiritualized”. He began “painting” them with a digital camera in the late 2000s, printing the photos on canvas, veiling them with paint. His Cemeteries are both childhood memories (when he played in the cemeteries of Fez) and a way of meditating on the passage of time, on absence and on the condition of existence. | ||
| 546 | _aFrench | ||
| 650 |
_aN4390-5098 Exhibitions _95540 |
||
| 700 |
_aFouad Bellamine _9940 |
||
| 700 |
_aYasmine Naji _9941 |
||
| 942 |
_cBK _2lcc |
||
| 999 |
_c3461 _d3461 |
||