000			02730nam a2200169Ia 4500
008			230919s9999 xx 000 0 und d
020			_a9789463728959; 9789048554058
245		0	_aMaterialized Identities in Early Modern Culture 1450-1750 _b: Objects, Affects, Effects _c/ Editors: Susanna Burghartz, Lucas Burkart, Christine Gottler and Ulinka Rublack
260			_bAmsterdam University Press; _c2021
300			_a420p; _ce-book
520			_aThis collection embraces the increasing interest in the material world of the Renaissance and the early modern period, which has both fascinated contemporaries and initiated in recent years a distinguished historiography. The scholarship within is distinctive for engaging with the agentive qualities of matter, showing how affective dimensions in history connect with material history, and exploring the religious and cultural identity dimensions of the use of materials and artefacts. It thus aims to refocus our understanding of the meaning of the material world in this period by centring on the vibrancy of matter itself. To achieve this goal, the authors approach "the material" through four themes – glass, feathers, gold paints, and veils – in relation to specific individuals, material milieus, and interpretative communities. In examining these four types of materialities and object groups, which were attached to different sensory regimes and valorizations, this book charts how each underwent significant changes during this period.This collection embraces the increasing interest in the material world of the Renaissance and the early modern period, which has both fascinated contemporaries and initiated in recent years a distinguished historiography. The scholarship within is distinctive for engaging with the agentive qualities of matter, showing how affective dimensions in history connect with material history, and exploring the religious and cultural identity dimensions of the use of materials and artefacts. It thus aims to refocus our understanding of the meaning of the material world in this period by centring on the vibrancy of matter itself. To achieve this goal, the authors approach "the material" through four themes – glass, feathers, gold paints, and veils – in relation to specific individuals, material milieus, and interpretative communities. In examining these four types of materialities and object groups, which were attached to different sensory regimes and valorizations, this book charts how each underwent significant changes during this period.
546			_aEnglish
650			_aEurpe _9680
650			_aNK600-806 Decorative Arts- History _9681
856			_3Click here to view e-book _uhttps://t.co/hIK7lHA1ec
942			_cEBK
999			_c3361 _d3361