| 000 | 01186nam a2200229Ia 4500 | ||
|---|---|---|---|
| 001 | 3308 | ||
| 003 | OSt | ||
| 005 | 20250224141426.0 | ||
| 008 | 230914s9999 xx 000 0 und d | ||
| 020 | _a9781915656018 | ||
| 040 | _c-- | ||
| 245 | 0 |
_aWiden the Circle- An obscure experimentation in North African Avant-Garde Cinema _c/ Ali Essafi |
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| 260 |
_bSharjah Art Foundation; _c2022 |
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| 300 |
_a84p; _c20x13cm |
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| 500 | _aSAF Publishing Grant 2020. | ||
| 520 | _aWiden the Circle: An Obscure Experimentation in North African Avant-Garde Cinema by Morocco and Brazil-based filmmaker, artist and curator, Ali Essafi traces the colonial history present in North African cinema through three films: Mémoire 14 [Memory 14] (1971), directed by Ahmed Bouanani; Mohammadia (1973), directed by Ahmed Bennys; and Combien je vous aime [How much I love you] (1985), directed by Azzedine Meddour. The essay offers insight into why these works have remained largely overlooked by local and international audiences. | ||
| 546 | _aEnglish | ||
| 650 |
_aTR845-899 Technology- Cinematography _9526 |
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| 700 |
_aAli Essafi _9527 |
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| 710 |
_aSharjah Art Foundation _9323 |
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| 942 |
_cBK _2lcc |
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| 999 |
_c3308 _d3308 |
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