000 | 02076nam a2200301Ia 4500 | ||
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001 | 3306 | ||
003 | OSt | ||
005 | 20250224141335.0 | ||
008 | 230914s9999 xx 000 0 und d | ||
020 | _a9783775754057 | ||
040 | _c-- | ||
100 |
_aRabah, Khalil _9513 |
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_aKhalil Rabah _b: Falling Forward / Works (1995–2025) _c/ Editor: Anthony Downey |
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260 |
_bSharjah Art Foundation; Hatje Cantz Verlag; _c2022 |
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_a548p; _c24x17cm |
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520 | _aArtist Monograph. How do cultural institutions and art practices respond to long-standing states of national and international emergency? Khalil Rabah’s artistic practice investigates the future of visual arts production under such conditions. Exploring the relationships between historically sanctioned and experimental exhibition settings, fictional and documentative narratives, and the histories of displacement, his methods not only propose but also produce speculative institutions. Edited by Anthony Downey, the artist’s first major monograph, Falling Forward / Works (1995–2025) presents a comprehensive selection of exhibition materials, previously unseen archival documents and detailed background notes on how Rabah’s methods relate to the broader themes in his work. The volume also introduces new critical writing from curators, authors and researchers on the interrelated subjects of anticipatory aesthetics, subterfuge and fugitive acts; mimicry and performativity; knowledge production; archival technologies; and, crucially, the politics of humour. The monograph includes essays by Chiara de Cesari, Anthony Downey, Tom Holert, Chrisoula Lionis, Hoor Al Qasimi, Khalil Rabah and Rasha Salti. | ||
546 | _aEnglish | ||
650 |
_aN8350-8356 Art as a profession. Artists _9514 |
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_aPalestine _9515 |
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700 |
_aAnthony Downey _9516 |
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700 |
_aChiara de Cesari _9517 |
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700 |
_aChrisoula Lionis _9518 |
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700 |
_aHoor Al Qasimi _9519 |
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700 |
_aRasha Salti _9520 |
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700 |
_aTom Holert _9522 |
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710 |
_aSharjah Art Foundation _9323 |
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942 |
_cBK _2lcc |
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_c3306 _d3306 |