000			01997nam a2200217Ia 4500
001			3261
003			OSt
005			20250224133511.0
008			230914s9999 xx 000 0 und d
020			_a9782365110488
040			_c--
245		0	_aMagiciens de la Terre _b: Retour sur une exposition légendaire _c/ Annie Cohen-Solal; Jean-Hubert Martin
260			_bCentre Pompidou Éditions Xavier Barral; _c2014
300			_a390p; _c25x18cm
520			_aMagiciens de la terre represented a watershed moment in the history of the great exhibitions of the 20th century. From May 18 to August 14, 1989, in the exhibition galleries of the Center Pompidou and La Grande halle de la Villette, it brought together nearly six hundred works produced by more than a hundred contemporary artists. For the first time on a Western stage, half of the artists came from these geographical territories (Africa, West Indies, Asia, Eastern Europe, Oceania) hitherto ignored by the actors of a still all-powerful and ethnocentric Western world. . Jean-Hubert Martin, its curator, had conceived the project by meeting artists from these cultures whom he ironically described as "invisible" and castigated, in a resolutely anti-colonial political bias, “the commonly accepted idea that there is only creation in the plastic arts in the Western or strongly Westernized world. »Twenty-five years after Magiciens de la Terre, at a time when the visual arts are going through a period of accelerated globalization, the Center Pompidou is organising, starting in the spring of 2014, a series of events which aim to examine the genesis of Magiciens de la Terre in order to situate the exhibition in its context and to understand, in particular, the role it played in the process of geographical extension of the contemporary art market.
546			_aEnglish; French
650			_aN5300-7418 Visual Arts- History _9332
700			_aAnnie Cohen-Solal _9333
700			_aJean-Hubert Martin _9334
942			_cBK _2lcc
999			_c3261 _d3261