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040 _c--
245 0 _aAfterall No. 48
_c/ Editors: Ana Bilbao, Charles Esche, Anders Kreuger, Ute Meta Bauer, David Morris.
260 _bUniversity of the Arts London;
_cAutumn/Winter 2019
300 _a200p;
_c26x22cm
490 _aAfterall Journal;
_v#48
500 _aAutumn/Winter 2019
505 _gAfterall is pleased to present our anniversary issue 48, Autumn/Winter 2019 – ‘Looking Back, Looking Forward: 20 Years of Afterall’ – which reflects on changes and fractures in the art world over the last two decades of Afterall journal.
520 _aAfterall is pleased to present issue 51, ‘Mediations’. Today, rethinking the medium in art is about approaching it as a form of mediation through its technical and material dimensions and about recognising and examining the latter in their capacities to shape experience, perception as well as setting the conditions of possibilities for the production, circulation and archiving of visual culture. What is more, with technological change and the expansion of contemporary art practices on a planetary scale, global art occupies a front seat when it comes to questioning the way regimes of the sensible are shaped under technical and material conditions, in their local and cultural specificities. Today, one needs to look at locally specific and differentiated understandings of the technicality of regimes of mediations. Afterall's long-standing interest in examining and diagnosing 'minor' artistic positions – be it from a geographical or historical frame – is furthered by paying attention to a plurality of artistic languages, not only to their regional or cultural conditions, but to their technical-material conditions as well.
546 _aEnglish
650 _aAP1-(271) Periodicals
_95610
942 _cBK
_2lcc
999 _c1986
_d1986