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043 | _an-us--- | ||
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100 | 1 |
_aJenkins, Ulysses, _d1946- _eartist. _0http://id.loc.gov/authorities/names/no2013055311. _96041 |
|
245 | 1 | 0 |
_aUlysses Jenkins : _bwithout your interpretation / _cedited by Erin Christovale & Meg Onli. |
246 | 3 | 0 | _aWithout your interpretation. |
250 | _aFirst edition. | ||
264 | 1 |
_aPhiladelphia, PA : _bInstitute of Contemporary Art, University of Pennsylvania ; _aLos Angeles, CA : _bHammer Museum, _c[2021] |
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264 | 4 | _c©2021. | |
300 |
_a287 pages : _billustrations (chiefly color), portraits ; _c26 cm. |
||
336 |
_atext _btxt _2rdacontent. |
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336 |
_astill image _bsti _2rdacontent. |
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337 |
_aunmediated _bn _2rdamedia. |
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338 |
_avolume _bnc _2rdacarrier. |
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500 | _aPublished on the occasion of an exhibition of the same name held at the Institute of Contemporary Art, University of Pennsylvania, September 17-December 30, 2021, and the Hammer Museum, February 6-May 15, 2022. | ||
504 | _aIncludes bibliographical references (pages 281-282) | ||
504 | _aDiscography: page 279. | ||
504 | _aVideography: pages 279-280. | ||
505 | 0 | 0 |
_tA multicultural riot / _rErin Christovale -- _tDoggereal life / _rMeg Onli -- _tAfter the prism: the many returns of Ulysses Jenkins / _rIkechúkwú Onyewuenyi -- _tWritten and bitten: Ulysses Jenkins and the non-ontology of blackness / _rAria Dean -- _tRefelections -- _tTransmissions: a roundtable conversation / _rGreg De Cuir Jr., Michael Boyce Gillespie, Chrissie Iles, and Alessandra Raengo -- _tChronology / _rLiv Porte. |
520 | _aSince the 1970s, Ulysses Jenkins has interrogated questions of race and gender as they relate to ritual, history, and state power. From his work with Video Venice News, a Los Angeles media collective he founded in the early 1970s, to his involvement with the artists' group Studio Z (alongside figures such as David Hammons, Senga Nengudi, and Maren Hassinger), to his video and performance works, Jenkins explores how white supremacy is embedded in popular culture. Beginning as a painter and muralist, Jenkins was introduced to video just as the first consumer cameras were made available, and he quickly seized upon the technology as a means to broadcast critical depictions of multiculturalism. This catalog features an extensive portion of Jenkins' archive, early documentary films, photographs, and ephemera, as well as his video art. | ||
600 | 1 | 0 |
_aJenkins, Ulysses, _d1946- _vExhibitions. _96042 |
650 | 0 |
_aAfrican American art _y20th century _vExhibitions. _0http://id.loc.gov/authorities/subjects/sh2009113931. _96043 |
|
650 | 0 |
_aAfrican American art _y21st century _vExhibitions. _96044 |
|
650 | 0 |
_aArt, American _y20th century _vExhibitions. _0http://id.loc.gov/authorities/subjects/sh2007101376. _96045 |
|
650 | 0 |
_aArt, American _y21st century _vExhibitions. _0http://id.loc.gov/authorities/subjects/sh2009115628. _96046 |
|
650 | 0 |
_aVideo art _vExhibitions. _0http://id.loc.gov/authorities/subjects/sh2008113213. _96047 |
|
650 | 0 |
_aPerformance art _xHistory. _96048 |
|
650 | 0 |
_aPhotography, Artistic _vExhibitions. _0http://id.loc.gov/authorities/subjects/sh2008108790. _96049 |
|
700 | 1 |
_aChristovale, Erin, _eeditor. _0http://id.loc.gov/authorities/names/no2017019431. _96050 |
|
700 | 1 |
_aOnli, Meg, _eeditor. _0http://id.loc.gov/authorities/names/no2018072704. _96051 |
|
710 | 2 |
_aUniversity of Pennsylvania. _bInstitute of Contemporary Art. _0http://id.loc.gov/authorities/names/n79069749. _96052 |
|
710 | 2 |
_aHammer Museum. _0http://id.loc.gov/authorities/names/n2009037254. _96053 |
|
905 | _aProcessed by BSLW 2022-03-09 | ||
905 | _aBSLW Base File 2022-05 | ||
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