| 000 | 01557nam a2200205Ia 4500 | ||
|---|---|---|---|
| 001 | 1683 | ||
| 003 | OSt | ||
| 005 | 20241016121946.0 | ||
| 008 | 221206s9999 xx 000 0 und d | ||
| 020 | _a9780648262855 | ||
| 040 | _c-- | ||
| 245 | 0 |
_aFootnotes, backgrounds, sheds _b: The Drawing Matter Archives by hugh Strange Architects _c/ Hugh Strange Architecte; Elizabeth Hatz; Max Creasy |
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| 260 |
_aMelbourne; _bPerimeter Editions; _c2018 |
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| 300 |
_a72p; _c29x24cm |
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| 490 |
_aPerimeter Editions 037 _v37 |
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| 520 | _aIt is the seemingly peripheral details and gestures that come to anchor this collection of images. Like the building they document, these photographs of the Drawing Matter Archive at the working Shatwell Farm in Somerset, UK, find their bearings in the backgrounds, the contextual minutiae and the footnotes. Taking the form of a three-way conversation between the Archive’s architect, Hugh Strange, Norwegian-Australian photographer Max Creasy, and Swedish academic, architect and writer Elizabeth Hatz, this book not only offers a subtly poetic and expansive vantage on the Archive, the collection it houses and its place in the surrounding farm, but also forwards a wider précis on the built form; one in which architecture is layered, living and lived. The Archive was nominated for the 2015 European Union Prize for Contemporary Architecture – Mies van der Rohe Award, and won RIBA National and Regional Awards the same year. | ||
| 546 | _aEnglish | ||
| 650 | _aNA1995 Architecture as a profession | ||
| 942 |
_cBK _2lcc |
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| 999 |
_c1683 _d1683 |
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